AKWAABA
Nov
14
to Jan 6

AKWAABA

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Susan Clinard

AKWAABA (WELCOME)

“In this moment there is an opportunity to reconnect. These past few years have separated us on many levels through social distancing, especially when it comes to art. Though there have been countless digital exhibitions - this one physically opens its doors to your eyes and your soul. Home is where art is seen everyday- in furniture, upholstery, paintings, clothing and more. Home is intimate. Join us as we, share with the viewer our appreciation for connectivity beyond virtual hugs.”

Shaunda Holloway

Organized by Curatorial Advisory Committee Member Shaunda Holloway

November 13 - January 5, 2023
On-site at ECOCA

Opening Reception:
Sunday, November 13, 1 - 3 pm

Susan Clinard
Clymenza Hawkins
David Holzman
Shaunda Holloway

Winter Hours:
Sundays 12 - 6 pm
Wednesdays 12 - 6 pm
Thursday 12 - 6 pm
By appointment

BRIAN SLATTERY : NEW HAVEN INDEPENDENT
Artists Go Home And Abroad At The Ely Center | November 17, 2022

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Primal Affinities @ ECOCA
Nov
13
to Jan 5

Primal Affinities @ ECOCA

  • 51 Trumbull Street New Haven, CT 06510 (map)
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Donna Forma

Primal Affinities @ ECOCA

Curated by Debbie Hesse

November 13 - January 5, 2023
On-site at ECOCA

Opening Reception:
Sunday, November 13, 1 - 3 pm

Steven DiGiovanni
Linda King Ferguson
Donna Forma
Becca Lowry
Greg Slick
Kim Weston

Exhibition List

Winter Hours:
Sundays 12 - 6 pm
Wednesdays 12 - 6 pm
Thursday 12 - 6 pm
By appointment

BRIAN SLATTERY : NEW HAVEN INDEPENDENT
Artists Go Home And Abroad At The Ely Center | November 17, 2022

MIRANDA JEYARETNAM : ARTS PAPER
In "Primal Affinities I," Artists Bring The Outside In | December 12, 2022



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Full House
Sep
12
to Nov 7

Full House

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sk.ArtSpace

Full House
A collection of collectives and self-organizing situations

Opening Reception: Sunday, October 2, 1 - 3 pm
ECOCA Block Party: Sunday, October 2, 2 - 5 pm
Open Source East Rock Neighborhood Platform

Connectic*nt Community Zine Library
FEED
Ice Cream Social
Norwalk Art Space
sk.ArtSpace
SomethingProjects
Wábi
Yale Fabric Lab


Exhibition List

BRIAN SLATTERY : NEW HAVEN INDEPENDENT
Ely Center Draws A “Full House” | October 14, 2022

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Jonathan Weinberg: Genesis
Sep
11
to Jan 5

Jonathan Weinberg: Genesis

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Jonathan Weinberg

GENESIS
Window Paintings & Letterpress Prints
by Jonathan Weinberg

September 11 - January 5, 2023
On-site at ECOCA

Opening Reception: Sunday, September 11, 1 - 3 pm
ECOCA Block Party: Sunday, October 2, 2 - 5 pm
In Discussion: Jonathan Weinberg’s GENESIS: Sunday, December 4, 3 pm

Winter Hours:
Sundays 12 - 6 pm
Wednesdays 12 - 6 pm
Thursday 12 - 6 pm
By appointment

Jonathan Weinberg, Ph.D. is an artist and art historian. He is Curator of the Maurice Sendak Foundation. He is the author of several books including, Pier Groups: Art and Sex Along the New York Waterfront and Ambition and Love in American Art. He is the recipient of numerous grants, residencies and fellowships, including a Guggenheim Fellowship and he was an artist-in-residence at the J. Paul Getty Research Center and the Addison Gallery of American Art. He was the lead curator for the touring exhibition Art After Stonewall, 1969-89 and he is the curator of Wild Things Are Happening: The Art of Maurice Sendak which opens at The Benton Museum of the University of Connecticut in late May of 2022. His paintings have been included in exhibitions at The Metropolitan Museum of Art, The Leslie Lohman Museum, The Montclair Art Museum, The Yale Art Gallery and The Rhode Island School of Design Museum.

BRIAN SLATTERY : NEW HAVEN INDEPENDENT
Ely Center Gets Religion | September 20, 2022

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Suzanne Anker: After Eden
Jun
5
to Jul 17

Suzanne Anker: After Eden

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Suzanne Anker, Vanitas (in a petri dish) 08

THE AGE OF HUMANS: Artist Talk with Suzanne Anker
Thursday, June 16, 5:30 pm
In partnership with the International Festival of Arts & Ideas
Held at Yale Repertory Theatre

Opening Reception: Thursday, June 16, 7 – 9 pm, on-site at ECOCA
51 Trumbull St, New Haven CT, 06511

After Eden is composed of a series of collages, prints, sculptures and a video, all of which relate to altering nature. In this time of climate change and synthetic biology, living matter has undergone substantial change. The collages record the botanical specimens I have grown in my garden, interrupted by the "cut and paste" technique used in modern art to create new forms. In science, such a technique creates new living entities, by adding or subtracting gene sequences. — Suzanne Anker

Press release

BRIAN SLATTERY : NEW HAVEN INDEPENDENT
Artist Imagines A Future After Climate Change | June 16, 2022

AL LARRIVA-LATT : ARTS PAPER
At Ely Center, Artists Summon A Shared Humanity | June 28, 2022


Suzanne Anker is a visual artist and theorist working at the intersection of art and the biological sciences. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the “necessity for enlightened thinking about nature’s ‘tangled bank’.” Anker frequently works with “pre-defined and found materials” botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. She works in a variety of mediums ranging from digital sculpture and installation to large-scale photography to plants grown by LED lights.

Her work has been shown both nationally and internationally in museums and galleries including the Beijing Art & Technology Biennial, Everson Museum of Art, Syracuse, NY; Daejeon Biennale, Korea; ZKM, Karlsruhe, Germany; Walker Art Center, Minneapolis, MN; the Smithsonian Institute, Washington, D.C.; the Phillips Collection, Washington, DC; P.S.1 Museum, New York, NY; J. Paul Getty Museum, Los Angeles, CA; the Berliner Medizinhistorisches Museum der Charité, Berlin, Germany; the Center for Cultural Inquiry, Berlin, Germany; the Pera Museum, Istanbul, Turkey; the Museum of Modern Art, Kyoto, Japan; and the International Biennial of Contemporary Art of Cartagena de Indias, Colombia. Anker’s exhibitions have been the subject of reviews and articles in the New York Times, Artforum, Art in America, Flash Art, and Nature. Her books include The Molecular Gaze: Art in the Genetic Age, co-authored with the late sociologist Dorothy Nelkin, published in 2004 by Cold Spring Harbor Laboratory Press, Visual Culture and Bioscience, co-published by University of Maryland and the National Academy of Sciences in Washington, D.C. Her writings have appeared in Art and America, Seed Magazine, Nature Reviews Genetics, Art Journal, Tema Celeste and M/E/A/N/I/N/G.

Her work has been the subject of reviews and articles in the New York Times, Artforum, Art in America, Flash Art, and Nature. She has hosted twenty episodes of the Bio Blurb show, an Internet radio program originally on WPS1 Art Radio, in collaboration with MoMA in NYC, now archived on Alana Heiss’ Clocktower Productions. She has been a speaker at Harvard University, the Royal Society in London, Cambridge University, Yale University, the London School of Economics, the Max-Planck Institute, Universitiy of Leiden, the Hamburger Bahnhof Museum in Berlin, the Courtauld Institute of Art in London, Banff Art Center any many others. Chairing SVA’s Fine Arts Department in NYC since 2005, Ms. Anker continues to interweave traditional and experimental media in her department’s Bio Art Lab.

Summer Hours Sundays, Mondays, Wednesdays 12 - 5 pm • Thursdays 3 - 8 pm & by appointment

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Storytellers: Part II
Jun
5
to Jul 17

Storytellers: Part II

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Joan Wheeler

Storytellers: Part II
A satellite show of Storytellers @ ECOCA

June 5 – July 17, 2022
Opening Reception: Thursday, June 16, 7 - 9 pm

Kwadwo Adae
Matthew Best
Jenn Cacciola
James Cofrancesco
Tyler Cofrancesco
Mary Dwyer
Anya Kotler
Melissa Sutherland Moss
Joan Wheeler

Sharing stories is one of the most primal forms of communication, enabling us to document real events, dream states, unconscious realms, sacred spheres, and unknown dimensions.

The nine artists in this show tell visual stories that include characters — fictionalized, historic, dream-like — achieved through abstract narratives, material exploration and figuration to convey ideas about their personal experiences, places, and the human condition.

Debbie Hesse
Curator

Summer Hours Sundays, Mondays, Wednesdays 12 - 5 pm • Thursdays 3 - 8 pm & by appointment

Press Release

Exhibition List

AL LARRIVA-LATT : ARTS PAPER
At Ely Center, Artists Summon A Shared Humanity | June 28, 2022

BRIAN SLATTERY : NEW HAVEN INDEPENDENT
Artists Make The Most Of Life In Ely Center Exhibit | June 28, 2022

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UNDERCURRENTS
Mar
6
to Apr 24

UNDERCURRENTS

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Katie Hovencamp, Landmine Pie

Curated by Kristina Newman-Scott
March 6 - April 24, 2022
Opening Reception: Sunday, March 6, 2 - 4 pm

Featuring 43 artists selected from ECOCA’s 2022 Open Call.

Spring Public Hours
Sundays 12 - 5 pm
Mondays 12 - 5 pm
Wednesdays 12 - 5 pm
Thursdays 3 - 8 pm
& By Appointment

Exhibition List

Curator’s Statement
The challenges of the last two years living with the pall of a global pandemic and the heaviness of racial fury in this nation, has forced us to reimagine connectivity, community, and intimacy. While reviewing the over 400 works submitted for the Ely Centers Open Call, I couldn’t help but feel a profound connection to work that seemed to be exploring this moment, even if some of them were created pre-pandemic. Maybe I was projecting my own emotional state, but after selecting the 46 pieces for the exhibition and then looking at them collectively, I knew that they belonged together. These works needed to share space with each other, to have proximity to each other’s visual stories, to be in community. 

There may never be a return to what we have collectively assumed as “normal”.  These past years have shown us that there is always something hiding under the surface. This is where we find thoughts that convey joy, that consume trust and concede suffering. I’m hoping that the work in this exhibit might remind us of the beauty, pain, loneliness, and joy that we have been experiencing.  We have all been carrying active feelings under the surface.  These are our undercurrents. We are alive, and it is wonderful.

BRIAN SLATTERY : NEW HAVEN INDEPENDENT
In Ely Center Exhibition, Artists Explore What Lies Underneath | March 17, 2022


Cindy Konits
Terrence Lavin
K’La Lawson
Suzanne Levy
Crystal Marshall
Melinda McDaniel
Melissa Sutherland Moss
Sarah Nance
David Van Ness
Caleb Portfolio
Sarah Schneiderman
Sarah Sipling
Yuli Sung
Mami Takahashi
Kelsey Tynik
Anthony Warnick
Elizabeth West
Marjorie Wolfe
Shiqi Wu
Yichen Zhou
Despina Zografos

Richard Bottwin
Joy Bush
Robert Carley
Jeremy Chandler
Alexandra Chiou
Zoe Cohen
Rima Day
Brooks Dierdorff
Christina Dietz
Daniella Dooling
Scott Glaser
Priya N. Green
Laurence Elle Groux
Clymenza Hawkins
Steven Holmes
Katie Hovencamp
Ruth Jeyaveeran
Laura Kern
Colleen Kiely
Zofie King
Susan Knight
Elizabeth Knowles


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Jan
22
to Feb 19

Gary Sczerbaniewicz: ARCHAEOPTERYX

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Opening Reception: Sunday, January 22, 1 - 3 pm

My practice involves an insatiable fascination with architectural spaces that evoke a sense of psychological unease. This compulsion toward an aesthetics of anxiety fuels two concurrent modes of my work – installation and sculpture. Each format articulates differing aspects of my chosen subject matters- often feeding upon and cross-pollinating one another in the process. I seek to disorient the viewer in an attempt to break the staid, often detached, passive, and familiar approach to consuming artworks.”

— Gary Sczerbaniewicz

Winter Public Hours
Sundays 12 - 6 pm
Wednesdays 12 - 6 pm
Thursdays 12 - 6 pm
& By Appointment

Exhibition List
Press

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January Solos
Jan
14
to Feb 21

January Solos

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Opening Reception: Sunday, January 16, 1 - 3 pm

Matthew Dercole
K Sarrantonio
Gary Sczerbaniewicz*

ECOCA’s Solos 2022 series highlights featured artists selected from our 2021 Open Call. These concurrent solos are presented in tandem with Yale-China Association’s Brilliant Boba and Hair @ Ely.

Winter Public Hours
Sundays 12 - 5 pm
Mondays 12 - 5 pm
Wednesdays 12 - 5 pm
Thursdays 12 - 5 pm
& By Appointment

*This project was supported, in part, by a Foundation for Contemporary Arts Emergency Grant.

Exhibition List

BRIAN SLATTERY : NEW HAVEN INDEPENDENT
Artists Take It Uneasy In Ely Center “Solos” Exhibit | January 27, 2021

KATHY CZEPIEL : DAILY NUTMEG
Body Work | February 1, 2022


Matthew Dercole (CT) creates forms with both organic and artificial materials to develop storylines. These artworks stem from the exploration of our relationships with ideas and imagery that are often overlooked, taken for granted, sometimes disturbing, and usually misunderstood. Within these stories, he approaches and investigates the dull, banal, and the obvious aspects of everyday life with a new curiosity. The works become combinations of the natural progression of life, such as growth and decomposition, and the human aspects of reason and ability; Matthew reacts to the way people think and feel about their identities, and how the act of learning and the responsibility of knowledge affect our everyday lives.


K. Sarrantonio (NY) is a multimedia artist striving to make artwork about the body without outright displaying the body, focusing on avoiding gender clarification and legibility. Catholic imaginings of both ecstasy and agony — specifically in their echoes of homosocialism and homoeroticism — had a large impact on K’s work and the consequent reconceptualizing of queerness within their own artwork. They consider the genderqueer body in tension with geometric and abstract forms, often using fabric to represent the body, as it is a material that in a sense is its own skin and can be very shape-shifting. While this work is not abstract, K. thinks of the fabric as an abstraction of bodily elements.


Gary Sczerbaniewicz’s (NY) practice involves an insatiable fascination with architectural spaces that evoke a sense of psychological unease. He fabricates confined space environments which include scale-shifts, using architectural models blended into full-sized structures into which the viewer is invited to physically enter and explore. These hybrid constructions inhabit a tenuous space between architecture,  environment, installation, sculpture, and theatrical stagecraft.  

He seeks to disorient the viewer in an attempt to break the staid, often detached, passive, and familiar approach to consuming artworks.  He believes that it is in this hermetic space where authentic communication  between artist and viewer occurs.

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HAIR @ Ely
Jan
13
to Feb 20

HAIR @ Ely

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HAIR @ Ely

January 13 - February 20, 2022
Opening Reception: Sunday, January 16, 1 - 3 pm

Sherese Francis
Alana Ladson
Candace Leslie
Jennifer McCandless
Abigail Simon
Megan Shaughnessy
Yvonne Shortt
Christine Lee Tyler

This is a collective of women artists exploring hair through conversation, process, and discovery culminating in a collaborative group exhibit at the Ely Center of Contemporary Art in New Haven, CT from January 13 - February 20, 2022.

Artists Sherese Francis, Alana Ladson, Candace Leslie, Jennifer McCandless, Abigail Simon, Megan Shaughnessy, Yvonne Shortt, and Christine Tyler came together in a virtual space every week beginning in November 2021 to discuss their work and create a space for artistic discovery. In addition, they will be making space together in the gallery and audience members will witness the transformation between artists as they engage in creativity.

This exhibition is presented in tandem with Yale-China Association’s Brilliant Boba and January Solos.

The HAIR @ Ely exhibit used a new framework for its open call based on self-selection and conversation every step of the way — to learn more about the framework, developed by Yvonne Shortt and Daria Dorosh of A.I.R. Gallery, please click here.

Winter Public Hours
Sundays 12 - 5 pm
Mondays 12 - 5 pm
Wednesdays 12 - 5 pm
Thursdays 12 - 5 pm
& By Appointment

Exhibition List

LUCY GELLMAN : ARTS PAPER
Ely Center Artists Braid Hairstory Into New Exhibition | January 19, 2021


Sherese Francis

Sherese Francis is an Alkymist of the I-Magination and expresses her(e)self through poetry, interdisciplinary arts, workshop facilitation, editing, and literary curation. Her(e) work takes inspiration from her Afro-Caribbean heritage (Barbados and Dominica), and studies in Afrofuturism and Black Speculative Arts, mythology and etymology. 

Some of her(e) work has been published in Furious Flower, Obsidian Lit, Rootwork Journal, Spoken Black Girl, The Operating System, Cosmonauts Avenue, No Dear, Apex Magazine, Bone Bouquet, African Voices, Newtown Literary, and Free Verse. Additionally, Sherese has published three chapbooks, Lucy’s Bone Scrolls (Three Legged Elephant), Variations on Sett/ling Seed/ling (Harlequin Creature), and Recycling a Why That Rules Over My Sacred Sight (DoubleCross Press). In 2020, her(e) poem “SAME Nobody” was chosen as a finalist for the Furious Flower poetry prize and her(e) manuscript, PollyNation: The Seminary of Self, was chosen as a finalist for the CAAPP Book Prize. The following year, her(e) poem, “SomNuh/Mbulist (Patois Possession)” won The Caribbean Writer’s Vincent Cooper Literary Prize.  

Besides publications, Sherese has had her(e) work featured in various exhibitions and showcases from The Lit Exhibit, NY Live Arts, Queens Public Library, York College Arts Gallery, King Manor Museum, WorksOnWater, Jamaica Center for Arts & Learning, Jamaica Flux, Baxter St Camera Club, Bliss On Bliss, Maleza Proyectos, and The Rubenstein Art Center.


Alana Ladson

Alana Ladson is an illustrator and character designer who loves to read, write, and draw. She earned her B.A. at St. John’s University and is currently working in the arts. Her experiences are rooted in the arts, education and advocacy– she loves working with youth, making art and sharing what her students call “sage-wisdom”. Alana is currently a board member for Connecticut Arts Alliance. She has exhibited her work through exhibits and events at the New Haven Free Public Library, The Cultural Alliance of Western Connecticut, Yale Peabody Museum, Koffee, and more. Alana also has an art business, Alana Ladson Art, where she creates art prints, enamel pins, and stickers of positive and empowering images of people of color. She is currently creating paintings and illustrating new works and looking to write and illustrate her own children’s book. You can find her illustration work at alanaladsonart.com.


Candace Leslie

Candace Leslie is a visual artist exploring the symbiotic relationships evident in motherhood, haircare and the manifold forms of blackness. As self-taught oil painter and collage artist born and raised in Columbus, GA, she cultivated a strong appreciation for plant life, natural elements and fable and folklore.

Utilizing a hybrid practice combining gritty, gnarled texture and multi-layered brushstroke techniques with transformative chroma, Candace paints upon various surfaces, including wood panel, framed canvases and long, linen strips. 

The current exhibition mounts her exploration of nurturing aspects of haircare and rite of passing on cultural knowledge of this symbiotic nurturing transmitted across generations through women and children, showcased inside surreal, folkloric settings.

Candace's work has been included in the West Harlem Arts: Resilience exhibition and was a recipient of the Davis Projects for Peace Grant through JumpstArt NYC.


Jennifer McCandless

Jennifer received her BFA in Sculpture from Otis/Parsons School of Art and Design and her MFA in Sculpture from the School of the Art Institute of Chicago. She has taught Ceramics and Sculpture at Wayne State University and The Loomis Chaffee School. She is currently Art Department Chair, Curator and Director of the Mercy Gallery and a Nichols Fellow in Art at Loomis Chaffee in CT. Jennifer has been the recipient of numerous awards including the Michigan Council for the Arts Individual Artist Grant, The Palmer Fellowship 2011-2015, MASS MoCA Assets for Artists grant, the Watershed Kiln God, the Millay Colony and Skowhegan full fellowships. Her extensive exhibition history includes shows at the National Sculpture Society, the Contemporary Art Institute of Detroit, The Lemberg Gallery, the Housatanic Museum, the John Slade Ely Museum, the Elmhurst Art Museum, Hyde Park Art Center, The Frederick Meijer Museum of Sculpture and the American Museum of Ceramic Art. She has also exhibited in the Miami (X Contemporary) and NYC (Superfine) art fairs 2015-17. Jennifer is represented by A.I.R. Gallery in Brooklyn, NY and Soapbox Arts in Burlington, VT. In 2021, Jennifer exhibited her work at A.P.E. Gallery in Northampton Mass in a two-person exhibition with Nanette Vonnegut entitled Seeing Red/Feeling Blue, was artist in residence at Cha North, NY and had a solo exhibit entitled Living Among the Humans at Soapbox Arts, September 8- October 30 as well as Paint at the Silvermine Gallery, New Canaan, CT.


Abigail Simon

Abigail Simon is an artist and curator actively researching how to dismantle flawed social systems and neutralize toxic histories. Through experimentation with materials, technologies, language, traditional crafts and radical spiritual practices she challenges the claustrophobic aesthetic/values of the present in order to conjure the compassionate future in which her essential optimism is justified. 

Her videos, films, photo-based works and installations have been shown at The Bronx Museum of the Arts, The International Center of Photography,  Governor’s Island, The Snug Harbor Cultural Center, The EFA Gallery, Chashama, Baxter Street at CCNY, LACE in Los Angeles, The Ace Hotel and The AIR Gallery and other independent spaces around the globe.  She received her MFA in Advanced Photographic Studies from Bard College in 2006, and is currently ABD for her Phd in Media Philosophy from the European Graduate School in Saas Fee, Switzerland. She has taught at ITP at Tisch School Of The Arts,  Rhode Island School of Design, The International Center of Photography, The Pacific Northwest College of Art and Pratt Institute and was a teaching artist at RUSH Arts in the New York City Public Schools. She is a vegan and a 500 hour yoga teacher and lives in upstate New York.


Megan Shaughnessy

Megan Shaughnessy (she/her/hers) has been a visual artist for over 20 years, exhibiting in both the US and internationally. She received a BFA in Photography from the School of Visual Arts in New York City and an MA in Photographic Studies from Norwich University of the Arts (NUCA) in the UK. From 2005-2009 she was an invited guest lecturer at NUCA and was also part of an artistic collaboration with fellow artist, Emma Shipton-Smith.

Megan started working with hair after the birth of her first child. In 2018 she cut off all her hair and used it to create a series of self-portraits that opened up a dialogue around biased notions of hair, particularly concerning gender roles and identity within modern society. Recently, Megan curated a virtual exhibition entitled Strand for the Ely Center of Contemporary Art (ECOCA). Strand is a celebration of the power and significance of all hair including facial, crown, and body hair. The artists showcased in this exhibition highlight the connection hair has to personal, gender, culture, social, and racial identities. 

Megan moved to the New Haven, CT area over five years ago and has been actively involved in the artistic community working at the Arts Council of Greater New Haven, exhibiting her artwork, writing a children’s storybook, collaborating on creative projects, and sitting on the Curatorial & Community Engagement Committee at ECOCA.


Yvonne Shortt

Yvonne Shortt is focused on using materials to create transformative experiences for herself. These transformative experiences lead to behavioral shifts in the artist. Ms. Shortt reflects these behaviors outward, creating shifts in the viewers of her work. The viewers in turn reflect these behaviors into their communities; little by little the world is transformed.  

Ms. Shortt’s work is also about transforming static gallery spaces into places where artists are in process. Thus, the gallery becomes a place not only for the object, but the human being. The current exhibition is based on the framework Ms. Shortt and Daria Dorosh created as part of the Research and Development Committee they founded at A.I.R Gallery in Brooklyn, New York. 

In Ms. Shortt’s current piece, Material Investigations at the Ely, Ms. Shortt investigates hair and cultural mindsets using rope, repetition, various other materials, and historical context. This piece will be in progress for its duration at the Ely.


Christine Lee Tyler

Christine Lee Tyler is a multidisciplinary DC and New York-based artist working in video, 2D and 3D realms. Her practice addresses the mundanity and impermanence of existence through a female lens. She works with painting, ceramics, digital art, video and collage. Her process involves utilizing patterns in a repetitive manner to drive the discourse of repression found in domestication.  

She received her MFA from Brooklyn College in 2019 and BFA from the School of Visual Arts. She is currently the Art Department Chair and Instructor for Pallotti College Preparatory School outside of Washington DC. 

Christine has recently been interviewed by BTR Today Podcast and published in Woven Tale Press, Washington Post and Art En Pause. She has been included in both solo and group shows nationally and internationally and been a recipient of fellows worldwide.

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Brilliant Boba
Jan
12
to Feb 19

Brilliant Boba

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Zulynette Morales

Yale-China Association: Brilliant Boba

January 13 - February 20, 2022
Opening Reception: Sunday, January 16, 1 - 3 pm

Kaitlin Fung
Zulynette Morales
Ying Ye

Brilliant Boba is a unique resource for educators to center Asian-American voices in their classrooms through art and narrative. It gives students and educators new ways to reflect on how we can integrate Asian-American voices, social-emotional learning, and art into learning spaces to facilitate empathy and creative thinking.  Brilliant Boba was created with contributions from Connecticut Asian-Americans, educators and artists.  

This show features three Brilliant Boba artists Kaitlin Fung, Zulynette Morales and Ying Ye as well as artwork from local students whose teachers used Brilliant Boba in the classroom.  Viewers are encouraged to engage with the stories and artwork present through reflection and creation.  Learn more about the project here.

Winter Public Hours
Sundays 12 - 5 pm
Mondays 12 - 5 pm
Wednesdays 12 - 5 pm
Thursdays 12 - 5 pm
& By Appointment

Exhibition List

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